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This ebook was once initially released ahead of 1923, and represents a replica of an incredible historic paintings, preserving a similar structure because the unique paintings. whereas a few publishers have opted to practice OCR (optical personality popularity) know-how to the method, we think this ends up in sub-optimal effects (frequent typographical mistakes, unusual characters and complicated formatting) and doesn't correctly safeguard the old personality of the unique artifact. We think this paintings is culturally vital in its unique archival shape. whereas we attempt to competently fresh and digitally improve the unique paintings, there are sometimes cases the place imperfections resembling blurred or lacking pages, bad photographs or errant marks could have been brought because of both the standard of the unique paintings or the scanning technique itself. regardless of those occasional imperfections, we've got introduced it again into print as a part of our ongoing international e-book renovation dedication, supplying consumers with entry to the very best historic reprints. We get pleasure from your figuring out of those occasional imperfections, and truly wish you get pleasure from seeing the publication in a structure as shut as attainable to that meant by way of the unique writer.
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3. e. what is the – enunciative, discursive – specificity of the topics and themes selected in the “information-carrying” segments)? 4. e. what is the narrative specificity of the topics or themes selected within an “information-carrying” segment or set of segments)? 5. e. what is the multimodal specificity of the topics or themes selected in the “information-carrying” segments)? 6. e. what is the intertextual specificity of a topic or a theme)? 7. e. what is the pragmatic – historical, cultural, social – specificity of a topic or theme)?
Creation of playlists, using the PlaylistMaker tool developed by ESCoM. Indeed, the segmentation done in Interview cannot be interpreted by a multimedia player. PlaylistMaker enables us to convert that segmentation into playlists in ASX format, for each video format. 3. Indexing and publication, using an old application named GAAV (“Gestion des Archives Audiovisuelles” – translated as AVAM - Audiovisual Archives Manager) also developed by ESCoM and facilitating integral management of both the audiovisual publications on a Web portal, and the Web portal itself and its audiovisual collection.
Org/. 3) Publication per se: either on the ARA Web portal, or on any other Website part of the ARA program. e. saving it in the different collections and/or Websites of the ARA program). it; etc. Note: for more information about this, see Chapters 6, 7 and 8 of New Uses of Digital Audiovisual Corpora. ) on a dedicated documentation host (server). 3) Legal deposition of the published corpus in the Bibliothèque nationale de France (BnF) – French National Library. 4) Regular saving of all computer files on an (automatic) backup server and verification of “correct” safeguarding.