A Wilderness Station: Selected Stories, 1968-1994 by Alice Munro

By Alice Munro

A New York Times Editors’ selection Book

Spanning virtually thirty years and settings that diversity from enormous towns to small cities and farmsteads of rural Canada, this very good assortment brings jointly twenty-eight tales by way of a author of exceptional wit, generosity, and emotional strength. In A barren region Station: Selected tales, 1968–1994, Alice Munro makes lives that appear small spread until eventually they're printed to be as spacious as prairies and locates the moments of affection and betrayal, wish and forgiveness, that modify these lives forever.
 
A touring salesman throughout the melancholy takes his little ones with him on an impromptu stopover at to a former female friend. A terrible lady steels herself to marry a wealthy fiancé she can’t particularly be able to love. An deserted girl attempts to select from the opposing pleasures of seduction and solitude. To learn those tales is to succumb to the spell of a real narrative sorcerer, a author who enchants her readers completely whilst she restores them to their truest selves.

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Additional resources for A Wilderness Station: Selected Stories, 1968-1994

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Of such trust and respect the initiative must be taken by the speaker. Not with cringing or flattery, not with any brow-beating air of superiority, but with a manly, selfrespecting frankness, he is to approach his audience as men occupying a common ground with himself. (449) The distinctly gendered construction of rhetorical character Genung outlines is underscored by his representation of male speakers as exemplars, including Henry Ward Beecher, Burke, Henry, Abraham Lincoln, Thomas  PARLOR RHETORIC AND THE PERFORMANCE OF GENDER Macaulay, and Webster (450–69).

Of such trust and respect the initiative must be taken by the speaker. Not with cringing or flattery, not with any brow-beating air of superiority, but with a manly, selfrespecting frankness, he is to approach his audience as men occupying a common ground with himself. (449) The distinctly gendered construction of rhetorical character Genung outlines is underscored by his representation of male speakers as exemplars, including Henry Ward Beecher, Burke, Henry, Abraham Lincoln, Thomas  PARLOR RHETORIC AND THE PERFORMANCE OF GENDER Macaulay, and Webster (450–69).

17 The range of selections in speakers reflects the assumption of authors and publishers that rhetorical performance was a central activity in the home and community. Advertising its contents in 1902 in terms that had changed very little since the beginning of the popularity of speakers in the 1870s, The American Star Speaker and Model Elocutionist (1902) presents itself as a manual of vocal and physical culture [and] elocution . . with appropriate selections for Readings and Recitals, both public and private, embracing the serious, comic, patriotic, heroic, sublime, humorous, descriptive, didactic and ridiculous, Suitable for Home, School, Church, Lodge, Club, Literary Societies, and Public and Private Recitals, with a variety of selections for use at all Holiday and Special Day Celebrations.

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